This was what many call immersion journalism, or undercover journalism.

Journalism is about results.

When I started in journalism

What is journalism coming to?

You weren't in broadcasting or journalism?

He is a big man in journalism.

These are classmates in my journalism class.

My journalism is about hard core evidence.

It's the Holy Grail of Kenyan journalism.

Newspaper business, dead. But journalism isn't dead.

So this is really journalism in cartoons.

Sir, yes, sir. 4212, Basic Military Journalism.

This is the future of journalism, I think.

I'd like to get into journalism in the future.

Not my finest moment in New York Times journalism.

I'm the President of the Journalism and Women Symposium JAWS.

My kind of journalism is a product of my society.

Yes, that's right. They have an excellent school of journalism.

Like I'm going to journalism school to become a reporter.

You weren't in broadcasting or journalism or anything like that?

What is the essence of journalism if it doesn't benefit society?

In my 20 years or so of medical broadcasting and journalism,

I saw that the free flow of information represented by journalism, specifically visual journalism, can bring into focus both the benefits and the cost of political policies.

My journalism is hinged on three basic principles naming, shaming and jailing.

I know that sometimes people have their own criticisms about undercover journalism.

Journalism had provided a channel for people's natural sense of generosity, and the readers responded.

First you need to understand that every piece of journalism requires a trifecta of sourcing.

And that's what we've found in practice, and that's what the history of journalism is.

Journalism was an answer to an even more important question, which is, how will society be informed?

What is political science? From the political, people will probably first associate it with the political incidents that enliven journalism.

In my own field of investigative journalism, we're also having to start thinking globally, so this is a site called

Even in places like India and Japan, where women are not moving rapidly into the regular job market, they're moving into journalism.

That's the positive side of what is sometimes called participatory journalism or citizen journalism, etc. that, in fact, we are giving people who have never been able to talk before a voice, and we're able to access information that has always been there but has essentially gone untapped.

Seeing the war created such incredibly high stakes for everyone involved and that visual journalism could actually become a factor in conflict resolution

I recently sat down with experts to talk to them about one social media website that is adding to the changing landscape of journalism.

I'm going to carry on with this kind of journalism, because I know that when evil men destroy, good men must build and bind.

But the narrative personal stories that contribute to the buffet of journalism are pieces that have the luxury of a slow dance of information.

It is this artful solicitation of story that will make the journalism memorable and will deliver the narrative bond that will connect us to each other.

Now, this has applications everywhere, whether in things like art in museums, like you just saw, or in the world of, say, advertising, or print journalism.

And if there is an answer to that that happens outside the professional framework of journalism, it makes no sense to take a professional metaphor and apply it to this distributed class.

I ended up coming back to that same contest that I had covered a year earlier, and I had this notion that I might enter it, sort of as an experiment in participatory journalism.

My kind of journalism might not fit in other continents or other countries, but I can tell you, it works in my part of the continent of Africa, because usually, when people talk about corruption, they ask, Where is the evidence?

As essential as it is across our traditions, as real as so many of us know it to be in particular lives, the word compassion is hollowed out in our culture, and it is suspect in my field of journalism.

Now whether this says more about the conflict between integrity and profitability of corporate journalism than it does about the attentiveness of Stewart's viewers, the larger point remains that Stewart's material is always grounded in a commitment to the facts not because his intent is to inform.

It may also be powered by cosmopolitanism, by histories, and journalism, and memoirs, and realistic fiction, and travel, and literacy, which allows you to project yourself into the lives of other people that formerly you may have treated as sub human, and also to realize the accidental contingency of your own station in life, the sense that there but for fortune go I.