It's susceptible to motion by the air currents.

So I made series of images, cuttings, and I assembled them in portfolios.

So I made sure the work was not compromised in any way and that the integrity of the work remained the same.

Piece of shit!

I continued studying craft traditions and collaborating with artisans, next in Lithuania with lace makers.

But another layer of representation was still introduced.

I just waited until a spilled a cup of coffee on the old one.

And there you can see what a Liverpool sea looks like on a typical afternoon.

There must be something else.

And what that does, is it inscribes the individual into the space of the institution.

In the course of this Goodbye Art series,

Soon gave me to know I had nothing to dread.

This process is a very calculated process.

A 2yearold could have written this.

In 1959, it is honored by the MOMA of New York.

When this came out on television, the value of her art dropped to nothing.

This piece of shit.

Now, The Grey Album is a remix.

So, I did this work for her.

(Applause)

But of course I continued creating artwork that was honest and raw, because I forgot about how people reacted to my work.

(Applause) So, thanks to him.

I guess they were pottery aficionados, that came to look at these pots.

Bobby was a piece of shit.

(Laughter)

Who barely sold 500 copies making it aboard this plane?

So you go, even in the exhibition, from the idea of nanotechnology and the nanoscale to the manipulation of really great amounts of data the mapping and tagging of the universe and of the world.

So I really enjoyed looking at these projects and interacting with these projects.

This one actually didn't go anywhere, but I got my feet wet doing this.

This was about 1925.

And so I've always had a big interest in this.

By doing that, you are now part of my piece.

And I sat like you guys there in the audience.

Extruded typography that's backlit with neon.

Artist Shepard Fairey has frequently used existing art in his work.

So I did a few prototypes. I got a small little grant at Stanford.

Hyperbolic overkill is a way of taking exaggeration to the absolute ultimate limit, just for the fun of it.

Finally her true talent revealed itself in that painting.

But then along came the industrial revolution, and then goods became the predominant economic offering, where we used commodities as a raw material to be able to make or manufacture goods.

There's very little economies of scale.

I feel like the privilege I've had as a curator is not just the discovery of new works, the discovery of exciting works.

Model and manipulate molecules, and create high quality renderings of them

And the people in Chicago made a reef of their own.

This is Human vs. Chimps the few chromosomes that distinguish us from chimps.

So audio is possible to put up, but the rights issues are really pretty thorny.