Well, uranium dioxide's a ceramic, and ceramic doesn't like releasing what's inside of it.

Moreover, solidified lacquer can be highly protective coating.

At first you only have ceramic toilets

It's this very cold, hard Mexican ceramic tile.

They're dropping the ceramic, the temperature lower and lower.

Surprisingly, forerunners have used laquer as the coating material for 10,000 years.

The similar difference exists in the world of ceramic wear.

It is unique among natural coating materials on earth and also artificial ones.

It makes the ceramic less resistant and knocks out the interior magnetic field.

This bread is baked in a Baja, a big ceramic amphorae used as oven.

Focus our own magnetic field to negate, knock out with the inverse... what's going on inside the ceramic.

And those a little bit up the scale eat off of a sort of a low fired ceramic dish.

So YiJung is a genius ceramic artist who debuted at Biennale at the age of 16 as the youngest artist.

I was a ceramic designer for about 10 years, and just loved utilitarian form simple things that we use every day,

The reactors we have today use uranium oxide as a fuel. It's a ceramic material, chemically stable, but not very good at transferring heat.

And now kinetic and architectural firms like Grimshaw are starting to look at this as a way of coating buildings so that they gather water from the fog.

And there on the smaller scale, the scale of an earring or a ceramic pot or a musical instrument, was a materiality and a soulfulness.

The fuel, like I said, is ceramic inside zirconium fuel rods, and in the event of an accident in one of these type of reactors,

All lenses have a slight color tinge to them, mostly due to the anti reflective coating. The tinge can be canceled when the respective data is known for the lens.

We came to understand and to prove that the brown coating that we see today was not done by Leonardo da Vinci, which left us only the other drawing that for five centuries we were not able to see, so thanks only to technology.

And there was this artist teaching, who made a great big old ceramic vessel, and I happened to be looking in the door of the art room and if you've ever seen clay done, it's magic and I'd never seen anything like that before in my life.

Each mirror, there are four of them, is made of a single piece of glass, a monolithic piece of high tech ceramic, that has been ground down and polished to such accuracy that the only way to understand what that is is to imagine a city like Paris, with all its buildings and the Eiffel Tower, if you grind down Paris to that kind of accuracy, you would be left with bumps that are one millimeter high.