And you start layering these solid structures.

Well, uranium dioxide's a ceramic, and ceramic doesn't like releasing what's inside of it.

At first you only have ceramic toilets

It's this very cold, hard Mexican ceramic tile.

They're dropping the ceramic, the temperature lower and lower.

Using this process, pioneers in the industry are layering up cells today.

The similar difference exists in the world of ceramic wear.

It makes the ceramic less resistant and knocks out the interior magnetic field.

This bread is baked in a Baja, a big ceramic amphorae used as oven.

And we're layering multiple technologies PET scans, CT scans and molecular diagnostics to find and to seek things at different levels.

Focus our own magnetic field to negate, knock out with the inverse... what's going on inside the ceramic.

And those a little bit up the scale eat off of a sort of a low fired ceramic dish.

So YiJung is a genius ceramic artist who debuted at Biennale at the age of 16 as the youngest artist.

I was a ceramic designer for about 10 years, and just loved utilitarian form simple things that we use every day,

So one of the pioneers, for example, is Dr. Anthony Atala, and he has been working on layering cells to create body parts bladders, valves, kidneys.

The reactors we have today use uranium oxide as a fuel. It's a ceramic material, chemically stable, but not very good at transferring heat.

And there on the smaller scale, the scale of an earring or a ceramic pot or a musical instrument, was a materiality and a soulfulness.

The fuel, like I said, is ceramic inside zirconium fuel rods, and in the event of an accident in one of these type of reactors,

layering them with all sorts of important information people like Crisis Mappers and Open Street Map and putting these on the Web for everybody the media, the aid organizations and the communities themselves to participate in and to use.

And there was this artist teaching, who made a great big old ceramic vessel, and I happened to be looking in the door of the art room and if you've ever seen clay done, it's magic and I'd never seen anything like that before in my life.

Each mirror, there are four of them, is made of a single piece of glass, a monolithic piece of high tech ceramic, that has been ground down and polished to such accuracy that the only way to understand what that is is to imagine a city like Paris, with all its buildings and the Eiffel Tower, if you grind down Paris to that kind of accuracy, you would be left with bumps that are one millimeter high.